Crafted in Tradition, Threatened by Time: The Story of Kashmiri Copperware
Tamana Jeelani is a student with a deep interest in heritage journalism and cultural preservation. She can be reached at tamanajeelani85@gmail.com.

TAMANA JEELANI
Kashmiri copperware is far more than a regional craft — it is a living emblem of the Valley’s cultural consciousness. These finely worked vessels are masterpieces of traditional artistry, deeply interwoven into the social and spiritual fabric of Kashmir. Yet today, they face a silent crisis as mass production and market neglect threaten to displace this centuries-old heritage. In a time when cultural preservation is more crucial than ever, Kashmiri copperware deserves to be reclaimed, celebrated, and sustained.
A Glimpse into the Past
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The legacy of Kashmiri copperware dates back to the Persian-influenced Mughal period and has been refined over centuries. From the large, artistically engraved trami used in Wazwan feasts to the elegantly designed samovar for brewing traditional tea, copper utensils have long been central to both daily life and ceremonial occasions in the region. They were more than utensils — they were family heirlooms, symbols of prestige, and vessels of memory passed from generation to generation.
The Artisan’s Craft
The creation of Kashmiri copperware is an intricate process rooted in traditional knowledge and painstaking skill. Primarily crafted by members of the Khar community, artisans use a hand-engraving technique known as naqashi. It involves delicate, labor-intensive etching of floral, geometric, or scriptural patterns onto heated copper surfaces. This process often takes days to complete a single piece and requires not only physical precision but also a deep aesthetic understanding, passed down informally through generations of mentorship and apprenticeship.
A Craft Under Siege
In recent years, the market has been flooded with cheap, machine-made copperware—primarily mass-produced in cities like Moradabad and falsely labeled as Kashmiri. These imitations lack both the craftsmanship and character of the genuine pieces. The influx of such goods has driven prices down and discouraged artisans from continuing their traditional work. As fewer young artisans take up the craft, the transmission of knowledge and skill is weakening, placing the entire tradition at risk of extinction.
Spotting the Authentic
Discerning authentic Kashmiri copperware from counterfeit products requires a trained eye. Genuine pieces are heavier, often uneven in texture, and bear subtle imperfections—hallmarks of human craftsmanship. Their signature reddish-gold hue stands in stark contrast to the brighter, shinier machine-made copies. Consumers must be encouraged to buy directly from trusted local sources and demand authenticity certificates, while awareness campaigns can further help protect both the artisans and the buyers.
Shared Responsibility in Preservation
Preserving this legacy isn’t the burden of artisans alone — it is a collective cultural responsibility. Consumers, educators, government bodies, and media platforms all play a role. Organizing exhibitions, artisan-led school workshops, and curated tourism experiences around copperware can raise awareness among the younger generation. Platforms like social media offer powerful storytelling tools that can connect artisans directly with global audiences, expanding markets and deepening appreciation.
The Utility of Beauty
Beyond their cultural worth, copper vessels are also known for their health benefits. According to Ayurveda, water stored in copper pots aids digestion, balances the doshas, and improves immunity. In Kashmiri households, these utensils are still commonly used — not just during weddings and religious ceremonies but also in daily life. Their utility, combined with their artistic beauty, makes them relevant in both traditional and modern lifestyles.
Strategic Interventions for Revival
Support from state governments, NGOs, and industry bodies is vital for the revival of this endangered art. Initiatives such as financial grants, marketing campaigns, and artisan training programs can infuse new energy into the sector. Platforms like the Government Arts Emporium at Kashmir Haat in Srinagar already provide space for authentic crafts and should be used more proactively to highlight copperware alongside more popular crafts like carpets and Pashmina.
Certification schemes, cooperative societies, and integration into heritage tourism — such as village tours, museum displays, and live artisan demonstrations — could greatly enhance both recognition and income for copperware artisans.
The Global Opportunity
As global markets increasingly value sustainability, health-conscious living, and handmade crafts, Kashmiri copperware stands poised for a renaissance. Its natural, health-friendly properties and unmatched aesthetic make it ideal for export. Participation in international expos and collaborations with luxury design brands can elevate its status from a regional curiosity to a global cultural treasure.
Lessons from Other Legacies
Kashmiri copperware can take inspiration from the revival of other Indian crafts like Banarasi silk and Pashmina, which have benefitted from GI tagging and targeted marketing. Documentaries, cultural festivals, and artist-in-residence programs can similarly bring attention to the rich legacy of copper artisanship and engage younger generations in its preservation.
Editor’s Note:
This article is part of “Our Heritage, Our Identity”, a special series dedicated to Kashmir’s fading cultural crafts. At a time when mass production and globalization threaten indigenous knowledge systems, it becomes essential to listen to voices like Tamana Jeelani’s — voices of a new generation who are committed to documenting and defending the intangible heritage of the Valley. Kashmiri copperware is not just a product — it is a mirror of memory, faith, and artistry. We hope this piece inspires reflection and action toward its preservation.
About the Author
Tamana Jeelani is a student with a deep interest in heritage journalism and cultural preservation. She can be reached at tamanajeelani85@gmail.com.
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